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If subjects of color, as socially constructed, enforce the invention
and implications of gender categories by failing to project ideal masculinity
and femininity, this failure does more than highlight gender ideals: it
allows for a dramatic representation of otherness (in color) that is fundamental
to a hegemonic cultural order. By asking how black subjectivities function
in relation to defining masculinity and femininity, I mean to illuminate
how gender—in referring to the difference between men and women by employing
these categories as blueprints for male and female identity—constructs
the violable body necessary for colonization beyond the female “other.”13
In the context of this discussion, gender difference, constructed through sexual domination/violation, indicates the presence of sexuality in the enterprise of domination overall. When Catherine MacKinnon points out that “To be rapable, a position that is social not biological, defines what a woman is” (178), she implies the importance of gender identity as a concept that goes beyond the male and female body in its labeling of subjects as either masculine or feminine. Although MacKinnon does not develop the implications of this statement in terms of a politics of intersectionality, it nonetheless stands on its own as a theoretical point of departure for investigations into how discourses on gender implicitly construct race. In addition, as a discourse on gender itself, MacKinnon’s statement also exemplifies this kind of implicit construction. Issues of race are invisible in her explication of this statement although people of color, as constructed, are subjected by and to a violable social position. To address the construction of woman’s identity in the context of feminist theory without acknowledging how race figures into and is constructed by/in gender ideology is to replicate that very ideology: I am arguing that dominant discourses that construct gender invisibly construct race. A feminist critique of these dominant discourses that does not address race only re-invisibilizes and therefore re-constructs race. Crenshaw is expressing the effects of this problem when she says that “feminist theory remains white” (67). In extending Crenshaw’s observation, we need to ask how the whiteness
of feminist theory recovers the dominant sexual ideologies that oppress
people of color: the absence of black women’s experience in feminist theory
indicates this experience as marginal while constructing its expression,
or its presence, as an invasion or a threat merely by excluding it. This
is similar to the dominant culture’s construction of black sexuality as
a threat, in both female and male forms, to a “civilized,” “moral” social
order. Just as the construction of black sexuality as invasive is a stunning
reversal—as it is black women and black men who are invaded, threatened,
and marginalized by white culture’s invention of their sexuality—the way
in which feminist the |
| constitutes this presence as
an invasion of sorts, which is distinctly sexual if we consider how black
women in particular are invaded and colonized by such discourses of erasure
and elimination.
Returning to the feminist notion that being rapable, as a social position, defines what a woman is, perhaps an anecdote in the October 1992 feature article of Esquire magazine can help elucidate the implications of this knowledge for sexualized constructions of racial otherness. In the article, an interview with Spike Lee conducted by Barbara Grizzuti Harrison, Harrison, a white woman, reminisces over her experiences with black women. Hailing sisterhood across racial boundaries, she recalls this story:
Above all, I want to emphasize the fact that underclass experiences of both gender and racial hierarchy are presented, in these formulations, as experiences informed by notions of sexual domination. In focusing on the sexual violation of |
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| the body as a primary issue in identity construction, Holiday offers
a sexualized interpretation of To this specific inquiry, the role of rape is thus important and instructive.
After all, the argument could be made that participating fully within patriarchy
means having the power to be the rapist, and perhaps more
important, to control the discourse of rape. The power to be the rapist
would include the power to deflect this identity while constructing all
aspects of the cultural function of rape. In the United States, for instance,
the pretense of rape as an impropriety is used in conjunction with the
construction of the racial “other” as rapist in order to justify the terrorism
of the male racial “other.” Or, in terms of female racial “others,” to
understand the “use of rape as a weapon of racial terror” (Crenshaw, 68)
is to know that women of color are raped “not as women generally” but as
women of color specifically. The experience of rape for women of color
“is as deeply rooted in color as in gender” (Harris, 246). And because
of the mythical sexualization of women of color, rape is not acknowledged
as such when women of color experience it; it becomes, if we recall Tawana
Brawley and the women of color who were raped during the week of the Central
Park crime, “simply life” (Harris, 247). The importance of rape for this
analysis then seems to be its ability, in literal and trope form, to indicate
the colonization of the body as a sexual enterprise. In any case, my analysis
up until this point should show how discourses on gender, in invoking masculinity
and femininity, in being saturated with sexual ideology, implicitly contain
discourses on race. With this thought in mind, I would like to turn to
the proceedings of “Sexuality and Space.” |